High Quality Content by WIKIPEDIA articles! In 1924 in jazz, the improvised solo had become an integral part of most jazz performances Standards published that year included "Everybody Loves My Baby" and Jelly Roll Morton's "King Porter Stomp". Musicians born in 1924 included the drummer Max Roach and singers Sarah Vaughan and Dinah Washington. In 1924, Leopold Stokowski, the British orchestral conductor of the Philadelphia Orchestra, observed that jazz had "come to stay." Both Europe and the US had critics of jazz in 1924. While the songwriter and music business executive Arnold Shaw wrote in 1989 that "1924 was a 'hot' year in jazz...", a columnist for The New York Times wrote in 1924 that "Jazz is to real music exactly what most of the 'new poetry,' so-called, is to real poetry. Both are without the structure and form essential to music and poetry alike, and both are the products, not of innovators, but of incompetents."

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