Издательство: | Книга по требованию |
Дата выхода: | июль 2011 |
ISBN: | 978-3-8383-9259-2 |
Объём: | 172 страниц |
Масса: | 282 г |
Размеры(В x Ш x Т), см: | 23 x 16 x 1 |
This Masters thesis (History of art, UKZN) is a compilation of reformulated exhibition catalogue essays on three South African black artists and considers how indigenous African and changing cultural world-view impacts the interpretation of visual artworks. The artists are: The late Trevor Makhoba, who can be considered a master of the African oral genre in its visual form, one that goes back to the praise-poets of old. Azaria Mbatha, who lives in voluntary exile in Sweden after being one of the first students at the Lutheran mission art-school of Rorke's Drift. Mbatha is known for his sequential narrative scenes in highly contrasting linocut-prints reflecting his African indigenous idiom and story-telling roots. Finally the late Cyprian Shilakoe, a Bakoni (north Sotho) who also studied at Rorke's Drift and is known for his deeply evocative and brooding aquatint-etchings reflective of his cultural beliefs, especially those on the realms between the worlds of the living and their ancestors.
Данное издание не является оригинальным. Книга печатается по технологии принт-он-деманд после получения заказа.