Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Nandikar's story, begins on June 29, 1960 when Ajitesh Bandopadhyay and Asit Bandopadhyay along with a group of committed young theatrepersons broke away and formed the group. This group consisted of Ajoy Ganguly, Satyan Mitra, Dipen Sengupta, later joined by Keya Chakravorty, Bibhas Chakravorty, and Rudraprasad Sengupta. The group's early productions were mainly adaptations of non-Indian plays, like Natyakarer Sandhane Chhati Charitra (Luigi Pirandello's Six Characters in Search of an Author), Manjari Amer Manjari (Chekhov's Cherry Orchard), Jokhan Eka (Arnold Wesker's Roots), Sher Afgan (Pirandello's Henry IV) and Tin Poyshar Pala (Bertolt Brecht's Threepenny Opera). They also performed Rabindranath Tagore's Char Adhyaya. In the late 1970-ties, first Asit Bandopadhyay and then Ajitesh Bandopadhyay left the group. With Rudraprasad Sengupta as the main director a new era started, and Nandikar turned from a pure performance oriented theatre group to an organisation with a wide range of projects, including the annual National Theatre Festival.

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