High Quality Content by WIKIPEDIA articles! Process music is music that arises from a process, and more specifically, music that makes that process audible. Although today often used synonymously with minimalism, the term predates the appearance of this style by at least twenty years. Elliott Carter, for example, used the word "process" to describe the complex compositional shapes he began using around 1944 (Edwards 1971, 90–91; Brandt 1974, 27–28), with works like the Piano Sonata and First String Quartet, and continues to use down to the present time. Michael Nyman has stated that "the origins of this minimal process music lie in serialism" (Nyman 1974, 119). Kyle Gann (1987) also sees many similarities between serialism and minimalism, and Herman Sabbe (1977, 68–73) has demonstrated how process music functions in the early serial works of the Belgian composer Karel Goeyvaerts, especially in his electronic compositions Nr. 4, met dode tonen (1952) and Nr. 5, met zuivere tonen (1953). Elsewhere, Sabbe (1981, 18–21) makes a similar demonstration for Kreuzspiel (1951) by Karlheinz Stockhausen.

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