Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Shakespearean Dance refers to dancing in the time and plays of William Shakespeare and his contemporaries. There are references to gay dances such as the galliard or sinkapace, lavolta, coranto, pavane, and canary, and stage directions indicate dancing in many plays including Romeo and Juliet, Much Ado About Nothing, Twelfth Night, or What You Will, Macbeth, and As You Like It. Terms like 'measure' and 'foot it' can also refer to dancing, and dance is often woven into the plot as part of a masque or masquerade ball, especially in plays by John Marston. There is no known dancing instruction manual for English dances of Shakespeare's time, but there are descriptions of almains and the measures in the Inns of Court manuscripts (see Payne), mentions of morris dance in church court and civic records (see Forrest), and large sections of dancing in court masques (see Ravelhofer and Welsford). Other dances referred to in English Renaissance plays such as the galliard, pavane, and lavolta are described in French and Italian dancing manuals by Thoinot Arbeau and Fabritio Caroso among others.

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