Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. In jazz, the Tadd Dameron turnaround, named for Tadd Dameron, is a turnaround, derived at the end of Dameron's "Lady Bird" from a series of ii-V-I progressions substituted with the backdoor progression (IV- VII7-I), in which the modulation implied in the central section, unusual for the time by major thirds, is implied in the turnaround.

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