Theatrical Makeup

Theatrical Makeup

Frederic P. Miller, Agnes F. Vandome, John McBrewster

     

бумажная книга



Издательство: Книга по требованию
Дата выхода: июль 2011
ISBN: 978-6-1340-0144-1
Объём: 104 страниц
Масса: 178 г
Размеры(В x Ш x Т), см: 23 x 16 x 1

High Quality Content by WIKIPEDIA articles! In the performing arts, stage makeup is used by actors to assist in creating the appearance of the characters they portray. In Greek and Roman theatre, makeup was unnecessary. Actors wore various masks, allowing them to portray another gender, age, or entirely different likeness. Thespis, considered to be the first actor, used white lead and wine to paint his face. In medieval Europe, actors altered their appearances by painting their faces a different color. Performers who portrayed God painted their faces white or gold; actors playing angels painted their faces red. During the Renaissance, actors were creative and resourceful when making-over their faces. They used lamb's wool for false beards and flour as face paint. Advancements in stage lighting technology required stage makeup to evolve beyond one over-all face color to a multidimensional craft. Originally, theatres used candles and oil lamps; these two sources of light were dim and allowed for crude, unrealistic makeup applications.

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